OCF

May 17, 2012
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Categories: OCF

One of New York City's preeminent DJ/producers, Morgan Geist, has long been an artist we adore. Whether working on his own, as part of Metro Area, or as head of Environ Records, the label he started while still a student at Oberlin College, we hungrily sink our teeth into whatever he unleashes. 

"Dead Eyes Opened" is hardly the only (or best) Severed Heads track, even though hipsters and DJs would have you believe otherwise.  This track, for example, is completely amazing.  I bought this record at Crazy Rhythms in Montclair, NJ.  Listening to a taped version on my Walkman on the school bus, the melody would to move me close to tears and the weirdness of the timbres made me feel there was no one else in the world who understood its beauty the way I did (this was very important to me in high school).  Tom Ellard's "group" (and opinions) were a massive influence on my music-making and my views of the music business, journalists and fans.  I imagine Tom would have some choice words for me contributing to an image-conscious headphone company's "cred" by posting a YouTube clip of his music, but maybe there will be some wonderful byproduct, like some kid hearing this track and abandoning her pursuit of "cool" in favor of buying the entire Severed Heads discography on cassette.―Morgan Geist

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May 8, 2012
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Categories: CultureOCF

The sharp-edged, sexy, dance-leaning duo, the Hundred In the Hands, is soon to release LP2, and boy are we thrilled about it. We hit up the male half of the duo, Jason Friedman, who plays guitar, to give us a Classic Cuts selection and, not surprisingly, he chose an excellent jam.

I was just listening to the Carter-Tutti-Void record that came out on Mute this year and that got me thinking about Throbbing Gristle again so I’ve gone back to 20 Funk Greats recently. I love the way the mad industrial chaos gets absorbed and dubbed out into the stripped mechanical minimalism of a track like “Hot On The Heels Of Love,” which ends up like fractured Moroder disco. It’s so light and still aggressive.―Jason Friedman, the Hundred In the Hands

May 2, 2012
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Categories: CultureOCF

About a month ago, Cosmo Vitelli came to the U.S. for a few gigs, including one in Brooklyn, New York for Let's Play House. Shortly thereafter, we asked the Parisian DJ, producer, and label head for a Classic Cuts selection and he certainly delivered one!

I've had this EP forever (I actually bought it on CD in the early 90s in a cheap secondhand store). I completely forgot it and found it by chance, checking again my CDs a few years ago. It's typical of Andrew Weatherall, with a Balearic touch, the expected piano house riff, and the unmissable early 90s breakbeat. What makes it special is Weatherall's dubby treatment, and its rock flavor. It's really what I'd expect to hear on a late night set.―Cosmo Vitelli

Apr 16, 2012
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Categories: OCF

We so enjoyed Matt Cash's first mix for us―which was also our first OCF Mix―that we invited him back for a second round! This one's a little bit longer and more up-tempo―and exactly what we need right about now! It's energetic, bouncy, and lots of fun, and goes perfectly with the spring heatwave we're experiencing presently!

Apr 12, 2012
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Categories: CultureEventsOCF

eskuché and Let's Play House have teamed up to present you with a very special contest! Now's your chance to win one (1) pair of headphones of the winner's choosing as well as a pair of tickets to see Tiger & Woods live LPH performance at Glasslands in Brooklyn, New York, April 21. Entering is simple: just "like" both LPH and eskuché on Facebook and shoot an email to nik@lphnyc.com with your name and mailing address. We will randomly select a winner on Friday, April 20, and dispatch the headphones to you the following week.

For more information on the event, head on over here. Also, you can purchase tickets here.

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